SOLO - Signal path
   
 

1. Multi-mode oscillator

Four multi-mode oscillators

- Wavesequence. Morph from a waveform to the next one

- Plucked string. Set decay, pickup and finger position, stiffness

- Bowed string. Control bow velocity with control wheel or aftertouch

- Voice Simulator. An old algorithm for human-like voices

- DSF. Discrete Summation Formulas. Control harmonic content with modulation wheel

- Formants. No filters. Set center frequency, formant width, formant shape. Add formants to shape your sound

- Noise. Control bandwidth and center frequency

Combine different mode oscillators by envelopes, modulation matrix and maps
 

 
 

2. Pitch

Set the frequency for each oscillator. Cent, semitone, octave
   
 

3. Pitch envelope

Program individual pitch envelope with 5 stages
   
 

4. Hard Sync

Link an oscillator with another by hard sync

Detune to change the harmonic content
   
 

5. Wave Shaping

Change the individual waveshapes by setting three parameters
   
 

6. Amplitude envelope

Program individual amplitude envelopes with 5 stages
   
 

7. Amplitude modulation

Amplitude modulate each oscillator by itself or another to change the harmonic content

 

  
 

8. Frequency modulation

Frequency modulate each oscillator by itself or another to change harmonic content

 

  
 

9. Mix

Set output volume for each oscillator. Or mute an oscillator and let it modulate another one
   
 

10. Morphing Filter

Combine different multi-mode filters to obtain complex morphing effects.

4x4 matrix: combine up to 4 filters on each column, in series or parallel

Morph from the first to the fourth resulting filter (row), with controller, envelope or map

Basis filters: lowpass, highpass, bandpass, bandcut, formants

Inverse filter can be routed to the output, too
   
 

11. Overdrive

Set input equalizer to obtain different drive.

Select among 8 saturation curves. Set gain and offset to change harmonic content.

Set the output equalizer
   
 

12. 2+2 modulating delay lines

Combine up to 2+2 short delay lines. Select input (direct and/or inverse filtered). Select time and modulation. Feedback and crossfeedback to change the effect
   
 

13. Volume

Set output volume to compensate volume differences among different presets
   
 

14. Modulation matrix
 
  • Switch on 1 among 16 slots
  • Select min and max (lower and upper knob on the right) parameter range
  • With your mouse, move the knob to be controlled
  • Move your controller
  • Switch off the slot
  • If the parameter is controllable, the link is on